limited coloured double vinyl in gatefold sleeve, includes mp3 download card.

crafty, sparse, late night house cut b/w proper, warm house banger

three eps on im a cliche from 2012 and a bunch of eps, tracks, remixes and edits on international imprints such as correspondant, relish, days of being wild, throne of blood, kill the dj and more, made red axes gain respect throughout all the cold-ravers community.

nach dem debuetalbum yes is more (2009) und remixes für röyksopp, radio slave & andrew weatherall präsentiert der londoner pop-elektroniker danton eeprom sein zweites album als hybriden aus leftfield-pop, detroit techno & chicago house, der zwischen catchy synth-pop (biscotto & chimpanzee), lasziven hiphop (hex tape), roxy music-charme (never ask, never tell), late-nite-house-sleaze (femdom, hungry for more) und kroenender eleganz (all eyes on me) variiert.

restore is a brand new label from tel avivs jean claude gavri with volume 1 featuring the talents of late nite tuff guy / adriatic favourite dean sunshine smith, ezlv and label boss jc gavri. pressed on white vinyl.

phantasy are proud to release the next in a series of remix 12s for daniel averys hugely acclaimed drone logic album featuring reworks from some of the most important electronic artists around. matthew dear dons his audion mask to remake need electric and prove why he remains the king of that breathless, late-night sound whilst, on the flip, matt walsh - boss of the hugely exciting clouded vision label - applies his effortlessly stylish techno workings to free floating.

when luke solomon got in touch and said he wanted to work with local talk we felt both honoured and happy, especially since we have been fans for a long time and mats actually booked him to his raw fusion club in the late 90s. he has been around long enough to be considered a legend within the scene. we couldnt agree more. lost channels, a 130 bpm piano driven and punk-dubby new york inspired house track comes in two versions. the raw & stripped version is exactly what the name says, sharp snares & hi-hats, piano chords, a driving rhythm with lukes trademark percussion sprinkled on top. the live piano version is actually the original version and is peppered with more of everything. bubbly fx, more of that staccato piano and of course that muscular bassline. for remix duties it is the return of an old local talk friend, wil maddams. it seems like wil has spent some time in detroit since last time. this remix sounds like something that would come straight out of the d, his clever drum programming holds this track together with its deep pads and bubbling bassline. it is a retro (but fresh) techno jam for 2014.

wolf return with a second ep from rising dutch star, frits wentink. fresh from remixing fcl, frits steps up here with three late number house stompers. the ep is rounded off with the latest wolf recruit, ishmael, who adds his trademark sound to geeses. dj support: terrence pearce, tensnake, chris duckenfield, dirk rumpff, red rack em, eddy ramich, eddy meets yannah, jacques renault, runaway, jimpster, disclosure, slothboogie, james welsh, warrior one

starting off 2014 with an italian/manchester collaboration - the 3rd release on el diablos social club sees dj rocca (ajello, erodiscotheque, crimea x) & chris massey (electric elephant, paper recordings) join forces to bring us a selection of spaced out, chuggy goodness with just a bit of a nod to certain croatian festivals. drug chug kicks things off with a plodding 4/4 infused with cosmicesque swooshes & whooshes along with a bassline to rattle the funktion ones. whilst synths reminiscent of the time & space machine add that much needed touch of psych to proceedings. shone takes the party to late night in the club where spiky 909 percussion meets chunky analog basslines before dropping in with distorted & reverb drenched piano chords that guarantee to leave a lasting impression on both the head & heart! remix duties come in heavy on this release with craig bratley dusting drug chug with his own style of studio fairy dust to knock it up a notch that will surely please those who have followed his sounds on andrew weatheralls bird scarer imprint, robsoul, foto, is it balearic, instruments of rapture and his own magic feet label. lastly edscs very own head honcho neil diablo tackles shone and lays off the epic-ness and brings a straight up basement chugger. this release has grit & oomph balanced with a good helping of sunshine infused warmth that will ensure its place in the boxes of both house heads & balearic boys all over!

ltd 2014 repress !! excellent deep house tracks , taken from tama sumos mix cd >panorama bar 02<

a new line (related) is the latest venture from lancashire-based andrew johnson (hood/remote viewer/moteer). utilising tools from the early days of home produced underground dance music (such as sk5 sampler keyboards and vintage drum machines) andrew has unearthed a beautiful album of downbeat, lamp-lit techno, industrial grade ambience and sonic experimentation which at times recalls early warp records, gescom and raw, 313 area beatdown house, as well as the more modern breed of electronic and techno travellers such as actress, mark fell (late period) and even theo parrish (the slow sound of your life).
the double vinyl lp includes a downloadcode for the full album.

wonderwheel recordings is proud to present the remix 12 inch for alsarah & the nubatones. called the new star of nubian pop by the guardian, the album, silt was produced by alsarah who describes the sound of silt as east african retro pop – it is music that harkens back to the hazy sounds of 1960s and 70s nubian music with its haunting instrumentation, soaring vocal melodies, and pentatonic arrangements.
the original song *soukura* a small taste of the upcoming album silt (out on 3/11) gets a signature deep and entrancing ancestral soul remix by african house legend boddhi satva. perennial wonderwheel favorite the spy from cairo gives *nuba noutou* a dubby dancehall re-rub, and label head nickodemus takes *rennat* into late night house territory with his remix, letting only the slightest of vocals come through and build tension until the final moments of the tune.

9 years on from their inaugural release from back in december 2004, saved records have now reached their landmark 100th release.

the name sabota comes from the infamous area in nelson bc, where kids congregate late at night to smoke weed, hook up and watch the sun come up. both max ulis and robbie slade (of humans) both have (if somewhat indirect) roots in the area, making it a fitting concept for their collaboration. with the release of next time on discobelle, sabota immediately caught the attention of journalists and fans alike, and before any kind of formal release they have played sxsw, sled island in calgary, vancouver international jazz festival with nosaj thing, and symbiosis gathering. the two full-time music collaborators have been making ethereal goodness.

so it begins, our good friends zoo look kindly kick off the abstract culture legacy, due out late this year the duo have worked out 2 awesome original cuts that each get remixed by some fine talent, together like this is the a-side and made with the dancefloor in mind, check it!

following on from the phenomenal success of the dancer k-alexi is back on his own k klassik label with acid king - a no nonsense late night acid house rumbler, with vocals from k alexi showing just why his voice & style has stood above the rest as the true acid king.

too early to go home, too late to stay still...the award winning future disco series sets the tone for 2014 with a limited red coloured vinyl sampler taken from their seventh compilation til the lights come up. in this installment the future disco team highlight their pick of the years freshest talent to feature on their rare and sought after releases.

following their acclaimed debut album, migration, on prins thomas internasjonal label in 2012, jamie paton and nigel hoyle (aka nigel of bermondsey) have seemed relatively quiet save for the odd remix here and there. tucked away deep in their south east london base though, a series of remixes and solo projects have been steadily forming. with new c&a material planned for 2014, plus more to come from jamies new solo efforts, as well as nigel making a long overdue reappearance in maurice & charles, now seems the right time to draw a line under their collective work to date. here then are a collection of unreleased interpretatons, including the sought after vocal remix of psychedlic darlings, in goats anthemic run to your mama. this is followed by a late night dub of 80s pop duo blancmange that mixes strings, guitar and some dub bass with a dose of space echo before bringing neil arthur s classicly recognisable refrain shining through. to finish is a remix of goats label mates teeth of the sea. fx-soundtrack vocal, bubbling 303 and 808 combine on a proper 3am dub that builds beyond some mere drug-chug.

*it all started in 1974 with the purchase of my first mini moog and another 70s dream machine, a white mellotron m 400.* so starts klaus hoffmann of his 40 years love affair with the mellotron. moving from prog-rock guitarist to cosmic disco warrior in a space of a few years, the birth of cosmic hoffmann would lead to a number of classic kosmiche albums through-out the 1980s. before this though came space-disco. initially recorded in 1978 after endless late night sessions exploring the new realms of this free form electronic music, the first incarnation was recorded live to tape for a failed film project. an uplifting spaced-out synth journey, it was the later reworked version that would go on to become the lost cult classic. with added disco syncopation taking the track into interstellar spheres, it appeared only as a flipside of cosmic hoffmanns first and last single, *weltraumboogie*, in 1982. unfortunately the release did not make much impression at the time but has become highly sought-after for the more leftfield dj and music lovers in the years since. now fully licensed and remastered, the inclusion of the unreleased 1978 original will be only add to the collectors dream.

italian producer domenico camarilla has hit a rich vein of form under the jose manuel guise of late, supplementing output on his own black pepper label with feted appearances for tusk wax, is it balearic?, lectric sands and citizen kanes disques sinthomme. given his profile, a union with the soft rocks affiliated kinfolk label makes utmost sense and jose manuel fans will find much to enjoy about ajna. both the title track and *the clear after the storm* are steeped in eastern mysticism and feature heavy percussion from the man manuel, whilst the accompanying soft rocks remix will appeal to fans of rabih beainis *tanki tanki* edit.

promising bristolian producer joefarr released his debut ep in late 2012 for tigas ever reliant turbo recordings, picking up plays from the likes of dave clarke, ivan smagghe, dexter & many more. a further ep on turbo, *clocks*, followed, as well as remixes for tiga and zombie nation, so enamoured were they with his production prowess, and now kick starting hypeltds 2014 campaign, joefarr presents four cuts for the hypercolour offshoot.

having featured international house heavyweights kez ym and andres on their previous release its no surprise that the late night blue sound ep was a monumental success with demand outweighing supply and a repress sought

sitting comfortably between classic fingers, inc. and the other people place, automatic tasty gives us his sentimental take on braindance.

janis guckes is a friendly musician from frankfurt. his love of music has led him to many a band and project. socialized in the robert johnson club, where he found his way to club music in the late nineties, he now produces excellent house in his own kitchen. he also runs a label with two friends, >house is ok<, where he released his first records.

the zurich-based definition:music has really been on a roll of late, with originals and remixes by with originals and remixes by darius syrossian & hector couto, reboot, sidney charles and josh butler (among others), really stetting the label on their way to success

new offshoot label for late nite tuff guy focusing on funk & soul classic re works.

three stompy dancefloor weapons are looking for a turntable. could you please help them we offer 2 high quality originals from rico puestel and add a sweet sugar remix from pimprinellas daddy marcel sterling. this is a late summer bomb! hipp, hipp, hooray!

deathday (formerly deathday party) is a los angeles based experimental post-punk band, formed in santa ana, california in 2008 by brothers alex guillén and giovanni guillén. previous incarnations of the group can be traced back to santa ana s koo s scene of the late 1990 s. while the title-track is an unreleased one, instead dropped into obscurity was already included in the downwards compilation click heels alongside with tropic of cancer, silent servant, the kvb. on the b side mannequin asked to the synth-master legowelt to remix after dark

5th instalment from material va series. mario ochoa, redondo, riccardo and more are on the pipeline for the massive must buy on matrialva005. supported by joris voorn

two various-artist-releases from mainakustik as limited double vinyl.

monster sampler taken from midnight riot vol 5 with an added bonus track from the man of the moment late nite tuff guy with being in love alongside 3 other killer tracks.

block rocking, pop locking lonely c and baby prince are at it again with their latest fraiche ep on soul clap records. the troublemaking two-some take us back to 2011. it was a weekend in late august and new york city was practically under martial law. news tickers warned frightened citizens that a hurricane called irene would strike at any minute, flooding most of manhattan and williamsburg where the boys sat gleefully snacking and talking shit inside the world famous marcy hotel. with all airplanes grounded and the trains halted it became clear that lc & bp were going nowhere. it began to rain, the wind picked up and as the skies darkened, nyc declared a state of emergency.

john digweed - live in argentina. taken from live recordings of two phenomenal gigs at rosario & buenos aires in late september.

the late 2010 album soulbooster from command strange is now split in two parts for the collectors. plate 2 contains you cant touch this.. command strange takes the vibe down a bit for a vibing deep roller for those special moments.. if r&b could be d&b then this would be its slow jam..for the last side we turn to want you back.. one last time we crank it up a notch with some good ol rolling breakbeats and smooth piano touches.. a brilliant jazzy roller with a vibe like no other

john digweed - live in argentina. taken from live recordings of two phenomenal gigs at rosario & buenos aires in late september

john digweed - live in argentina. taken from live recordings of two phenomenal gigs at rosario & buenos aires in late september

nu-disco duo flight facilities release their latest single *stand still*, earmarking a full year since clair de lune was released in late 2012. in that time, it has amassed 2.5 million views on youtube and the recent vinyl release is selling furiously. *stand still* will be available with two incredible remixes, featuring future classic alumni (and lithuanias producer of the year) mario basanov, and new yorks com truise, who brings his synth-heavy sounds to the table. the original is a hit single in australia, france and the usa, with the video clip soaring at 30k plays in its first day and scoring a vimeo staff pick as well. the vinyl comes with download code.

fast making his way on the underground circuit, rising star samu.l is back onboard one records home ground delivering his first single release for the label with the entrancingly dark and driving monster *invitations*. rolling with effortless groove and an all encompassing depth in the atmospherics, this is essential dj weaponry perfect for the late hours or early morning. warmly welcomed to the label we see the highly talented martin buttrich conjure up a powerful remix true to his distinct style, with a grumbling bassline and sonic force that will undoubtedly dominate any dance floor at peak time, complemented with a raw and chugging dub version to complete the ultimate package.

one per customer ... limited repress. slow life are a berlin collective with an insatiable diggers philosophy, with african percussion master s.moreira heading up the production/machining side. diverse deep sounding tracks with space-out atmospheres and kicking rhythms, plus an extra laid back journey. mastered by mark richardson. 180g vinyl-only!

after recently inaugurating its run with a crop of tunes aimed squarely at the dancefloor, brooklyn s newly launched peach label—an imprint headed up by turrbotax® co-founder rem koolhaus—has shifted gears on its second release, broadening its vision beyond the club and offering up a pair of wonderfully immersive tunes from earth house hold

hot on the heels of bmm 002 comes the latest instalment of the birdsmakingmachine series – bmm 003 – a package combining their signature sine-bass laden grooves, steel drums and oblique melodies. >antonios swing<, as the title indicates, literally swings listeners into its rhythm with dark vocal snippets layered onto soft stabs and eerie melodies. >woodpeckers<, on the a2, takes a more linear approach, an effective dj-friendly tool that will please dancefloors in the late hours of the night/early hours of the morning. on the flip, in >silk road< we find a captivating, yet mysteriously funky minimal house affair that builds and builds until finally erupting following the break. the ep is rounded-off with >dead lines<, a broken themed galloping of bass kicks fused into moody melodies and reverberated far cries, resembling a genuine excavation into the depths of house music – another example that the birds are always trying to redefine the genres boundaries.

since the early 80s maddisco has been heavily into hip hop and electro, recording his favourite stuff from the radio until the late 80s when he started collecting vinyl and djing, chicago house and detroit techno were the first genres he went for after hearing them at the club rip in clink street, quickly followed by balearic, disco, funk, dub and ambient music some of which he heard at danny ramplings club shoom

john digweed - live in argentina. taken from live recordings of two phenomenal gigs at rosario & buenos aires in late september.

john digweed - live in argentina. taken from live recordings of two phenomenal gigs at rosario & buenos aires in late september

there are certain moments and event that can redefine a nation and a culture. the 1987 1988 acid house explosion was such a moment in our time that it did capture a nation and a forged a new era in modern music. acid was such a taboo in the late 80s in the uk that law officials thought that the music insight mass use of acid and everyone would space out, and that was far from the truth. but what is true that some guys from chicago created a sound that the world einbraced and continues to embrace to this day.

puss is a new label from hnny and kornél kovács, pushing club ready dance tracks to tenderhearted discjockeys around the world. the first release came this spring, with hnnys simple yet devastatingly effective rnb refix *boy* and kornél kovács eerie dub version *yob* sharing one side each – for the follow up, hnny transforms a late 90s jam by wexford, pennsylvanias finest into an acid-tinged house jam in two different arrangements. as always with puss, each record comes with a unique real human kiss mark. expect more to come.

two techno heavyweights in the form of swiss producer pascal nuzzo and uk duo nhb come together for three fierce tracks on the !organism label. nhb can be considered one the of best recent revelations in minimal techno, where they found a place thanks to their experiences of the late 90s rave underground. nhbs philosophy has always been linked with the use of real synthesizers and drum machines and that shows here, whilst nuzzo has had plenty of big hits in various sonic realms over the last few years, from french filter house to edm to full on techno.

deep site recordings presents karmine roscianos >sending my love ep<, exclusively on vinyl. karmine is no stranger to deep house fans around the globe with damn fine releases on imprints like um records, incepto deep, and city life. first off on the ep is his original track, sending my love. its a smooth deep funk dancefloor number peppered with groovy guitar, lush orchestral pads, and a sweet female vocal refrain. next up is a melodic and resplendent remix by vincenzo (dessous). placing the vocals more upfront, he then adds a wickedly infectious garage styled bassline and electric piano chords over the original sounds, creating a scorchingly deep track. the third song is another original from karmine, with you. beautiful piano lines coupled with funk bass and guitar flourishes soar over a driving deep house structure that accentuates a percussive discothèque feel. the final tune is a remix from alex neivel (large music/rvs). taking the original elements to a completely new place, alex emphasizes the late night mood with rich floating pads, dark spacey atmospherics, as well as perfectly timed rhythmical pauses.

124black is the new sub label from 124 recordings with the aim of promoting a darker, harder sound firmly rooted in the underground. all releases are strictly limited and available only on 10 inch translucent vinyl. first up is jacob b, rapidly gaining a lot of recognition for his deep and chunky club cuts, aptly demonstrated on >basement crowd< with solid drums, suspense filled strings, a spoken word vocal and a bassline that shows you exactly where the title of this track comes from. next is another 124 family member, liam geddes late night jam, >somebody in the house<. with its haunting stabs, groovy baseline and snare rolls, this a simple, yet very effective track that works equally as well in a small club or large warehouse! on the b-side, cecil returns to 124 with >bv< a track very much aimed at the dancefloor and replete with the producers signature deep stabs and chords, that work alongside a sub bassline that you feel rather than hear. a peak time track...